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Book: The Sonnets

The above image is the dedication that prefaced the 1609 edition of Shakespeare's sonnets. Since its first printing, this sonnet cycle -- comprised of 154 interrelated poems -- has become one of the most famous groups of poems in the world.

The sonnets can be broken up into large sequences based on who they are addressed to; the first 126 are addressed to a young man, with sonnets 1 through 17 all regarding a specific subject (procreation); the last 28 are addressed to a woman. There is considerable speculation around who exactly -- if anyone -- these two people are. For example, 'Mr. W.H.' of the dedication, assumed to be the subject of the first 126 sonnets has been postulated as being any number of people , including Henry Wriothesly, Third Earl of Southampton, William Herbert, Third Earl of Pembroke (under the theory that the initials were mistakenly transposed during the printing process) and even Shakespeare himself (assuming another typo, that the initials should have read W. Sh.). Because of the varying tone and diction used in this set of sonnets, many have been led to question the nature of Shakespeare's assumed relationship with the unidentified young man, and the interpretations range from the strictly platonic to the passionately homosexual.

There is also speculation regarding the identity of the so-called Dark Lady, the woman referred to in sonnets 127 to 154. Among the candidates are Mary Fitton, a maid of honor to Queen Elizabeth and Emilia Lanier, an English poetess and proto-feminist.

There is, of course, a strong possibility that all of these people are simply poetic conventions, fictional people being addressed by a fictional narrator. There is boundless speculation regarding the authenticity of the dedication: the 1609 edition of the sonnets is thought to have been a printing unauthorized by Shakespeare, with the dedication having been inserted by the printer Thomas Thorpe ('T.T.').

But despite all these unanswered questions, the sonnets remain important pieces of literature because they break away from poetic conventions of the time. Before Shakespeare's, sonnets followed strict rules not only in form, but in content; sonnets were only supposed to be about love, and then were ever only supposed to be serious and chaste, disdainful of the physical aspects of love. Shakespeare broke away from these confines by writing about human evils that do not have to do with love (Sonnet 66) and political events (Sonnet 124), by making fun of love (Sonnet 128), by parodying beauty (Sonnet 130), by reversing gender roles (Sonnet 20), by speaking plainly about sex (Sonnet 129) and even by introducing witty pornography (Sonnet 151).

NOTE:

I have elected to present The Sonnets singly, as well as in the groups scholars have put them in based on their content, which are as followed (and which can be found at the very bottom of this page):

THE PROCREATION SONNETS (1 - 17)

THE FAIR YOUTH SONNETS (18 - 77, 87 - 126)

THE RIVAL POET SONNETS (78 - 86)

THE DARK LADY SONNETS (127 - 154)







SeanJ - OldPoetry Researcher

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