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Book: In Hospital
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The morning mists still haunt the stony street;
The northern summer air is shrill and cold;
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A square, squat room (a cellar on promotion),
Drab to the soul, drab to the very daylight;
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The gaunt brown walls
Look infinite in their decent meanness.
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She's tall and gaunt, and in her hard, sad face
With flashes of the old fun's animation
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Behold me waiting—waiting for the knife.
A little while, and at a leap I storm
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At the barren heart of midnight,
When the shadow shuts and opens
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You are carried in a basket,
Like a carcase from the shambles,
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Down the quiet eve,
Thro' my window with the sunset
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Like as a flamelet blanketed in smoke,
So through the anaesthetic shows my life;
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O, the fun, the fun and frolic
That The Wind that Shakes the Barley
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Lived on one's back,
In the long hours of repose,
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'Talk of pluck!' pursued the Sailor,
Set at euchre on his elbow,
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The greater masters of the commonplace,
REMBRANDT and good SIR WALTER—only these
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Thin-legged, thin-chested, slight unspeakably,
Neat-footed and weak-fingered: in his face -
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Some three, or five, or seven, and thirty years;
A Roman nose; a dimpling double-chin;
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Exceeding tall, but built so well his height
Half-disappears in flow of chest and limb;
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Blue-eyed and bright of face but waning fast
Into the sere of virginal decay,
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Here in this dim, dull, double-bedded room,
I play the father to a brace of boys,
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Hist? . . .
Through the corridor's echoes,
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Her little face is like a walnut shell
With wrinkling lines; her soft, white hair adorns
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Two and thirty is the ploughman.
He's a man of gallant inches,
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It's the Spring.
Earth has conceived, and her bosom,
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As with varnish red and glistening
Dripped his hair; his feet looked rigid;
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Staring corpselike at the ceiling,
See his harsh, unrazored features,
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From the winter's grey despair,
From the summer's golden languor,
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Laughs the happy April morn
Thro' my grimy, little window,
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His brow spreads large and placid, and his eye
Is deep and bright, with steady looks that still.
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Carry me out
Into the wind and the sunshine,
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