I lived from 1817-1893.
I was from Spain, and am in the European category.
He studied law in Toledo and Valladolid, and became clerk to a justice of the peace in the latter city; but he soon devoted himself exclusively to literature. His father, an attorney of reputation, being displeased with his occupation, sent him home; but young Jose made his way to Madrid, where he remained hidden for several weeks. On 15 February, 1837, at the funeral of the noted poet Larra, he repeated an elegy which was universally praised, and this was the means of effecting a reconciliation with his father.
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Zorrilla published, a few months later, his first volume of poetry, which increased his reputation. After 1845 he resided partly in Paris and partly in Brussels until about 1851, when he went to Mexico and was director of the theatre in the city of Mexico in 1853--'5. He wrote several comedies there, which were represented in Mexico and in South America with great success. In 1863 he returned to Mexico, was given an employment in Emperor Maximilian's household, and published several poems in praise of the emperor and his wife, which were severely criticised by the patriots and engaged their author in a controversy with a Mexican poet.
He left Mexico in 1865 and returned to Spain.
Zorrilla's works include "Cantos del travador, colleccion de leyendas y tradiciones historicas" (3 vols.. Madrid, 1841); " Plores I'erdidas" (1843); "El Zapatero y el rey," which is considered his best, comedy (1844); "Granada," a long romantic poem, imitated from Victor Hugo, which is considered his masterpiece (2 vols., Paris, 1851-'4): "Album de un hico" (Madrid, 1867); and " Poema religioso" (1869). Complete editions of his works have been published several times (2 vols., Paris, 1847; 3 vols., 1853; 6 vols., Madrid, 1877).
My poetry
Ese vago clamor que rasga el viento
es la voz funeral de una campana;
60 lines
Dueña de la negra toca,
la del morado monjil,
62 lines
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