Oscar Wilde

Oscar stands out among the fraternity of Victorian dramatists, which includes fellow-Irishman Dion Boucicault (1820-1890), James Robinson Planch&eachute; (1796-1880), Tom Robertson (1829-1871), Tom Taylor (1817-1880), W. S. Gilbert (1836-1911), and Arthur Wing Pinero (1859-1934).



After Trinity College, Dublin, Wilde attended Magdalen College, Oxford, where as a disciple of Walter Pater he founded the Aesthetic Movement, which advocated "art for art's sake." His aesthetic idiosyncrasies such as his wearing his hair long, dressing colourfully, and carrying flowers while lecturing Gilbert and Sullivan parodied in the operetta Patience (1881).



After his marriage to Constance Lloyd in 1884, he published several children's books, and in 1891 the tale of a hedonistic Adonis with the tormented soul of a saty, 'The Picture of Dorian Gray'. In a brilliant series of domestic comedies -- 'Lady Windermere's Fan' (1892), 'A Woman of No Importance' (1893), and 'An Ideal Husband' (1894) --

Wilde took the London stage by storm with his witty, epigrammatic style, insolent ease of utterance, and suave urbanity. Wilde described 'Lady Windermere's Fan' as "one of those modern drawing-room plays with pink lampshades." Its combination of polished social drama and corruscatingly witty dialogue was repeated in 1895 in the two hits that he had on the London stage simultaneously, 'An Ideal Husband' and 'The Importance of Being Earnest'.



Later that same year Wilde's tragic downfall was precipitated by the accusation of homosexuality by the Marquis of Queensbury, father of Wilde's intimate, Lord Alfred Douglas. The irate peer left a card at Wilde's club addressed: "To Oscar Wilde posing as a Somdomite" (sic). Wilde, taking it that the writer meant "Sodomite," sued for libel. However, after a sensational trial, Wilde was sentenced to two years' hard labour for homosexual practices. Sent to Wandsworth Prison in November, 1895, Wilde was subsequently transferred to Reading Gaol.

Bankrupt and ruined in health, Wilde left prison in 1897 and settled, bitter and broken, in Paris under the pseudonym "Sebastian Melmoth" (the name of his favourite martyr from Melmoth the Wanderer, a novel written by his great-uncle, Charles Maturin, in 1820).

Of his time as a prisoner he wrote in 'The Ballad of Reading Gaol' (1898):



I never saw a man who looked

With such a wistful eye

Under the little tent of blue

Which prisoners call the sky.



All that we know who lie in goal

Is that the wall is strong;

And that each day is like a year,

A year whose days are long.