I lived from 1901-1989.
I was from the United States, and am in the Americas category.
I was influenced by poets T S Eliot, Robert Frost, Edgar Lee Masters, Ezra Pound, Carl Sandburg.
Sterling Allen Brown (1901-1989), author, critic, professor, Poet Laureate for Washington, DC, and "the Dean of American Poets," was born on Howard University's campus at the site where Cook Hall Dormitory now stands. He was educated in the District of Columbia Public Schools and received his Bachelor's degree from Williams College (Williamstown, MA) in 1922 with honors as a Phi Beta Kappa. Brown entered graduate school and received his Master's degree from Harvard University in 1923. He taught at Virginia Seminary in Lynchburg, Virginia; Fisk University, Nashville, Tennessee; and Lincoln University in Missouri. He was a visiting lecturer at Atlanta University, New York University and Vassar College. Sterling Brown joined the Howard University faculty in 1929 and remained associated with Howard for almost sixty years.
Read full description by Cary Nelson and Mark A. Sanders, Howard University, Houston Institute for Culture, The Moorland Spingarn Research Center, Thanks to Jack Dennis, Sterling Brown...
Professor Brown devoted his life to the development of an authentic black folk literature. He was one of the first scholars to identify folklore as a vital component of the black aesthetic and to recognize its validity as a form of artistic expression. He worked to legitimatize this genre in several ways. As a critic, Brown exposed the shortcomings of white literature that stereotyped blacks and demonstrated why black authors are best suited to describe the Negro experience. As a poet, he mined the rich vein of black Southern culture, replacing primitive or sentimental caricatures with authentic folk heroes drawn from Afro-American sources. As a teacher, Brown encouraged self-confidence among his students, urging them to find their own literary voices and to educate themselves to be an audience worthy of receiving the special gifts of black literature. Among his students were actor/playwright Ossie Davis, political activist Stokley Carmichael, and the Nobel prize winning novelist, Toni Morrison.
Overall, Brown's influence in the field of Afro-American literature has been so great that scholar Darwin T. Turner told Ebony Magazine: "I discovered that all trails led, at some point to Sterling Brown. His Negro Caravan was the anthology of Afro-American. His unpublished study of Afro-American theater was the major work in the field. His study of images of Afro-Americans in American literature was a pioneer work. His essays on folk literature and folklore were preeminent. He was not always the best critic…but Brown was the literary historian who wrote the Bible for the study of Afro-American literature." Brown's dedication to his field was unflinching, but it was not until he was in his late sixties that the author received wide spread public acclaim. In 1968 the Black Consciousness movement revived an interest in his work. ("Sterling Brown." Contemporary Authors. CD-ROM. Detroit: Gale, 1996.)
During the 1970s, after years of neglect, Brown's career took an upturn. In 1979 the City Council of the District of Columbia declared his birthday, May 1, Sterling A. Brown Day. "I've been rediscovered, reinstituted, regenerated and recovered," he said in a 1979 interview with The Washington Post. He published The Collected Poems of Sterling Brown in 1980 which won the Lenore Marshall Prize in the early 1980s as the best book of poetry published that year. In 1984 he was named Poet Laureate of the District of Columbia, a position which, The Washington Post wrote, "[he had] held informally for most of his 83 years." He died in 1989 in Takoma Park, Maryland.
My poetry
Watcha gonna do when Memphis on fire,
Memphis on fire, Mistah Preachin' Man?
66 lines, 2 comments
Lanterns a-swingin',
An' a long freight leaves the yard;
38 lines
You cain't never tell
How far a frog will jump,
182 lines, 1 comment
They dragged you from the homeland, They chained you in coffles,
They huddled you spoon-fashion in filthy hatches,
31 lines
Gittin' used to his feet
On de solid ground.
33 lines
Went down to the river, sot me down an' listened,
Heard de water talkin' quiet, quiet lak an' slow:
31 lines
Swing dat hammer—hunh—
Steady, bo';
54 lines
A soft song, filled
With a misery...
30 lines
They got the judges
They go the lawyers
70 lines, 2 comments
Start a forum topic about this poet