They lie, the men who tell us in a loud decisive tone
That want is here a stranger, and that misery's unknown;
For where the nearest suburb and the city proper meet
My window-sill is level with the faces in the street —
Drifting past, drifting past,
To the beat of weary feet —
While I sorrow for the owners of those faces in the street.
And cause I have to sorrow, in a land so young and fair,
To see upon those faces stamped the marks of Want and Care;
I look in vain for traces of the fresh and fair and sweet
In sallow, sunken faces that are drifting through the street —
Drifting on, drifting on,
To the scrape of restless feet;
I can sorrow for the owners of the faces in the street.
In hours before the dawning dims the starlight in the sky
The wan and weary faces first begin to trickle by,
Increasing as the moments hurry on with morning feet,
Till like a pallid river flow the faces in the street —
Flowing in, flowing in,
To the beat of hurried feet —
Ah! I sorrow for the owners of those faces in the street.
The human river dwindles when 'tis past the hour of eight,
Its waves go flowing faster in the fear of being late;
But slowly drag the moments, whilst beneath the dust and heat
The city grinds the owners of the faces in the street —
Grinding body, grinding soul,
Yielding scarce enough to eat —
Oh! I sorrow for the owners of the faces in the street.
And then the only faces till the sun is sinking down
Are those of outside toilers and the idlers of the town,
Save here and there a face that seems a stranger in the street,
Tells of the city's unemployed upon his weary beat —
Drifting round, drifting round,
To the tread of listless feet —
Ah! My heart aches for the owner of that sad face in the street.
And when the hours on lagging feet have slowly dragged away,
And sickly yellow gaslights rise to mock the going day,
Then flowing past my window like a tide in its retreat,
Again I see the pallid stream of faces in the street —
Ebbing out, ebbing out,
To the drag of tired feet,
While my heart is aching dumbly for the faces in the street.
And now all blurred and smirched with vice the day's sad pages end,
For while the short `large hours' toward the longer `small hours' trend,
With smiles that mock the wearer, and with words that half entreat,
Delilah pleads for custom at the corner of the street —
Sinking down, sinking down,
Battered wreck by tempests beat —
A dreadful, thankless trade is hers, that Woman of the Street.
But, ah! to dreader things than these our fair young city comes,
For in its heart are growing thick the filthy dens and slums,
Where human forms shall rot away in sties for swine unmeet,
And ghostly faces shall be seen unfit for any street —
Rotting out, rotting out,
For the lack of air and meat —
In dens of vice and horror that are hidden from the street.
I wonder would the apathy of wealthy men endure
Were all their windows level with the faces of the Poor?
Ah! Mammon's slaves, your knees shall knock, your hearts in terror beat,
When God demands a reason for the sorrows of the street,
The wrong things and the bad things
And the sad things that we meet
In the filthy lane and alley, and the cruel, heartless street.
I left the dreadful corner where the steps are never still,
And sought another window overlooking gorge and hill;
But when the night came dreary with the driving rain and sleet,
They haunted me — the shadows of those faces in the street,
Flitting by, flitting by,
Flitting by with noiseless feet,
And with cheeks but little paler than the real ones in the street.
Once I cried: `Oh, God Almighty! if Thy might doth still endure,
Now show me in a vision for the wrongs of Earth a cure.'
And, lo! with shops all shuttered I beheld a city's street,
And in the warning distance heard the tramp of many feet,
Coming near, coming near,
To a drum's dull distant beat,
And soon I saw the army that was marching down the street.
Then, like a swollen river that has broken bank and wall,
The human flood came pouring with the red flags over all,
And kindled eyes all blazing bright with revolution's heat,
And flashing swords reflecting rigid faces in the street.
Pouring on, pouring on,
To a drum's loud threatening beat,
And the war-hymns and the cheering of the people in the street.
And so it must be while the world goes rolling round its course,
The warning pen shall write in vain, the warning voice grow hoarse,
But not until a city feels Red Revolution's feet
Shall its sad people miss awhile the terrors of the street —
The dreadful everlasting strife
For scarcely clothes and meat
In that pent track of living death — the city's cruel street.
Leave a guest comment (subject to review)
Comments
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beautiful
What a great melody, what a sweet rhyme. This is the poem so close to us, we, the people. yes they lie, when they say, That want is here a stranger, and that misery's unknown…Ah see the Human river...the poet in a very soft and simple words has portrayed the beauty of the ugliness and ugliness of beauty.. Rewarded 6
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faces in the street
From guest Gus Henderson (contact)
Still one of my favourites, this poem. It is the Sydney of my great-grandfather, the solicitor Duncan Munroe Smith. My grandmother was born at that time, into a changing world that had no time for or want of poor Henry. The world is a poorer place without him. -
At The Beating Of A Drum
From guest Jody (contact)
I'm doing an assessment on Henry Lawson and was wondering why he wrote the poem "At The Beating Of A Drum" -
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The poem you refer to http://oldpoetry.com/opoem/24829-Henry---Lawson-At-The-Beating-Of--A-Drum was written on 1910. Australia as a single National entity wasonly a few years old and at that time the armed forces of the new nation were being created new (The Navy was formed in 1911). Lawson was probably in tune with these changes and was probably saying we (Australians) will forge our traditions in the same way as the longer established nations already had.
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1888: this poem gives us a window into the lifetyle of most of the early inhabitants of Australia. It's a dreary one, the monotony broken by War (Sudan 1888-93 perhaps) I'm not sure but it certainly reflects time, it's like a time capsule being opened and examined over 100 years later, so full of interest but leaving unanswered questions. superb - but then I expect nothing less from this Australian poet.
Vonnie
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Henry Lawson wrote lots of poetry that sympathized with the suffering of the common man (and woman). He has a way of pulling at your heart and then rallying for the betterment of all. His poetry is emotional, articulate and heartwarming. He makes me miss home, and long for a better Australia.
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This man was an oberservant one and paints a picture of the everyday life of people. Hard work, hard lives adn then the onset of war animates them to fever pitch. I have heard this read aloud often and never ceases to stir my emotions.
One of Henry's best in my opinion.







