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The Lady of Shalott


On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro' the field the road runs by
To many-tower'd Camelot;
And up and down the people go,
Gazing where the lilies blow
Round an island there below,
The island of Shalott.

Willows whiten, aspens quiver,
Little breezes dusk and shiver
Thro' the wave that runs for ever
By the island in the river
Flowing down to Camelot.
Four gray walls, and four gray towers,
Overlook a space of flowers,
And the silent isle imbowers
The Lady of Shalott.

By the margin, willow-veil'd,
Slide the heavy barges trail'd
By slow horses; and unhail'd
The shallop flitteth silken-sail'd
Skimming down to Camelot:
But who hath seen her wave her hand?
Or at the casement seen her stand?
Or is she known in all the land,
The Lady of Shalott?

Only reapers, reaping early
In among the bearded barley,
Hear a song that echoes cheerly
From the river winding clearly,
Down to tower'd Camelot:
And by the moon the reaper weary,
Piling sheaves in uplands airy,
Listening, whispers ''Tis the fairy
Lady of Shalott.'

PART II


There she weaves by night and day
A magic web with colours gay.
She has heard a whisper say,
A curse is on her if she stay
To look down to Camelot.
She knows not what the curse may be,
And so she weaveth steadily,
And little other care hath she,
The Lady of Shalott.

And moving thro' a mirror clear
That hangs before her all the year,
Shadows of the world appear.
There she sees the highway near
Winding down to Camelot:
There the river eddy whirls,
And there the surly village-churls,
And the red cloaks of market girls,
Pass onward from Shalott.

Sometimes a troop of damsels glad,
An abbot on an ambling pad,
Sometimes a curly shepherd-lad,
Or long-hair'd page in crimson clad,
Goes by to tower'd Camelot;
And sometimes thro' the mirror blue
The knights come riding two and two:
She hath no loyal knight and true,
The Lady of Shalott.

But in her web she still delights
To weave the mirror's magic sights,
For often thro' the silent nights
A funeral, with plumes and lights,
And music, went to Camelot:
Or when the moon was overhead,
Came two young lovers lately wed;
'I am half sick of shadows,' said
The Lady of Shalott.

PART III


A bow-shot from her bower-eaves,
He rode between the barley-sheaves,
The sun came dazzling thro' the leaves,
And flamed upon the brazen greaves
Of bold Sir Lancelot.
A red-cross knight for ever kneel'd
To a lady in his shield,
That sparkled on the yellow field,
Beside remote Shalott.

The gemmy bridle glitter'd free,
Like to some branch of stars we see
Hung in the golden Galaxy.
The bridle bells rang merrily
As he rode down to Camelot:
And from his blazon'd baldric slung
A mighty silver bugle hung,
And as he rode his armour rung,
Beside remote Shalott.

All in the blue unclouded weather
Thick-jewell'd shone the saddle-leather,
The helmet and the helmet-feather
Burn'd like one burning flame together,
As he rode down to Camelot.
As often thro' the purple night,
Below the starry clusters bright,
Some bearded meteor, trailing light,
Moves over still Shalott.

His broad clear brow in sunlight glow'd;
On burnish'd hooves his war-horse trode;
From underneath his helmet flow'd
His coal-black curls as on he rode,
As he rode down to Camelot.
From the bank and from the river
He flash'd into the crystal mirror,
'Tirra lirra,' by the river
Sang Sir Lancelot.

She left the web, she left the loom,
She made three paces thro' the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
She look'd down to Camelot.
Out flew the web and floated wide;
The mirror crack'd from side to side;
'The curse is come upon me!' cried
The Lady of Shalott.

PART IV


In the stormy east-wind straining,
The pale yellow woods were waning,
The broad stream in his banks complaining,
Heavily the low sky raining
Over tower'd Camelot;

Down she came and found a boat
Beneath a willow left afloat,
And round about the prow she wrote
The Lady of Shalott.

And down the river's dim expanse—
Like some bold seer in a trance,
Seeing all his own mischance—
With a glassy countenance
Did she look to Camelot.
And at the closing of the day
She loosed the chain, and down she lay;
The broad stream bore her far away,
The Lady of Shalott.

Lying, robed in snowy white
That loosely flew to left and right—
The leaves upon her falling light—
Thro' the noises of the night
She floated down to Camelot:
And as the boat-head wound along
The willowy hills and fields among,
They heard her singing her last song,
The Lady of Shalott.

Heard a carol, mournful, holy,
Chanted loudly, chanted lowly,
Till her blood was frozen slowly,
And her eyes were darken'd wholly,
Turn'd to tower'd Camelot;
For ere she reach'd upon the tide
The first house by the water-side,
Singing in her song she died,
The Lady of Shalott.

Under tower and balcony,
By garden-wall and gallery,
A gleaming shape she floated by,
Dead-pale between the houses high,
Silent into Camelot.
Out upon the wharfs they came,
Knight and burgher, lord and dame,
And round the prow they read her name,
The Lady of Shalott.

Who is this? and what is here?
And in the lighted palace near
Died the sound of royal cheer;
And they cross'd themselves for fear,
All the knights at Camelot:
But Lancelot mused a little space;
He said, 'She has a lovely face;
God in His mercy lend her grace,
The Lady of Shalott.'

Notes

1.
First published in Poems, 1833, but much altered in 1842, as a comparison of the two versions given will show. This poem is Tennyson's earliest published use of the Arthurian theory and legend. In 1859 his "Lancelot and Elaine" retells the story. The name Shalott is the Astolat of the old romances. Tennyson is said to have got the name he uses in this poem from an Italian tale, La Donna di Scalotta, in which Camelot is located near the sea, contrary to the Celtic tradition. (The following notes refer to the 1842 version.)
5.
Camelot: the capital of Arthur's kingdom. Caxton puts it in Wales.
56. pad: an easy-paced horse.
69-72. Tennyson noted later: "The new-born love for something, for someone in the wide world from which she has been so long secluded, takes her out of the region of shadows into that of realities" (Memoir, I, 116-17).
84. Galaxy: the Milky Way.
107. Tirra lirra: Shakespeare speaks of "The lark that tirra-lirra chants" (Winter's Tale, IV, ii, 9). Here it indicates Lancelot's light-heartedness.

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Comments

1 - 20 of 20

  • June 14
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    The Lady of Shalott

    From guest Maria (contact)
    I am studying this in school and unfortunately i have to say that this is definately not one of my favourite peoms.

  • Lorien
    June 13
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    Amazing is too light a word

    My friend reccomended this to me and I dont have a word to represent its impact on me. Breathless.

  • stanzastar
    November 25, 2008

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    shalott

    I am reciting/ performing this poem on december 5th and 12th in east grinstead peredur centre for the arts.


  • October 26, 2008
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    The Lady Of Shallot

    From guest Charlotte Revell (contact)
    I have read this for my school project, me and my class found it very interesting. I would recomend it to anybody


  • October 23, 2008
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    The Inspiration of the Pre-Raphaelites

    From guest TonyHunt (contact)
    This is the first time I have read this poem. Thanks for providing it for me. It won't be my last time. Now I can see why the Pre-Raphaelites were fascinated by it.

  • sutpau
    September 12, 2008

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    The Lady of Shalott/Tennyson

    This is a truly marveloous epic poem and if you think it is lyrical listen to Loreena McKennitt's besutiful rendition of this poem. Beauty layered upon beauty


  • April 15, 2008
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    Childhood memory

    From guest Chris Hoare (contact)
    As a boy I was part of the Birmingham Festival Choir, singing alto. In 1973 we had to sing The Lady of Shallot set to music on Birmingham Town Hall. For me this is more than a poem; it is a song and a memory.


  • April 5, 2008
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    From guest Lianonsidhe (contact)
    This is a very special childhood favourite. Arthurian stories and poems have always been a great love of mine. I like the tension he creates, building up to a beautiful but sad climax.

  • albymyheart
    February 8, 2008
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    This is my favourite poetic verse of all time. I even have a large framed print of the picture above in my loungeroom! Tennyson's words, his expression, rhythm and rhyme are unexcelled here. My dream is to write as well as him, and pen a poem in similar fashion that will become the classic that this poem is.
    alby


  • KimmyKat
    December 29, 2007

    Edit | Reply

    My FAVORITE poem of all time

    This has to be my favorite poem. It has been for years. The immagery and the message and the meter and rhyme...it's just gorgeous.

  • pankaja
    July 6, 2007

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    LADY of shallot

    Fascinating painting through strokes of poetry!As though in a dream,we also drift along with the lady,and wake up long after she is gone,in a sort of daze!Only Tennyson could weave such emotions!
    NuggehalliPaNKaja

  • sanmdr
    August 1, 2006
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    a tale of romantic melancholia...
    awesome... especially the ease of narration... preserving the emotions... in the natural flow of words... making it poignantly spontaneous...
    detailed words and impressively vivid imagery...

  • Emmavickylew
    May 31, 2006
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    More than just a love poem

    It's also a poem about being a poet or an artist. Tennyson liked to use the woman and the poet interchangeably, and here we have a woman who weaves all day (her art) and cannot have an unmediated relationship with reality because of the curse of the poet: that the poet cannot participate directly in life because isolation is necessary for creativity. The mirror is the imagination, which reflects reality but is not the same. The idea of Lancelot failing her could be the failure of the reader to fully enter into the world of the poet, with the Lady of Shalott dying because of the mutual exclusivity of real life and the creative life.


  • aestas
    April 27, 2006
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    stirring

    Being a huge fan of the Arthurian legends I can't help but adore this poem. It contains a melancholy eloquence that saddens me. I rarely fail to tear up when she speaks of being half-sick of shadows. I can definitely relate to that line.

  • Hyperie
    April 20, 2006
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    beautiful

    I learnt this poem as a child, at age 14 i knew this poem off by heart. Tennyson is a great poet, he is way up there with Shakespeare. There is very few poems one can read and feel what the writer is saying, still today this poem touches my heart and i always finish reading it with a tear.

  • Frozen Roses
    January 24, 2006
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    I have loved this poem since I heard Lorenna McKennitt sing it, after that I had to find it and read it. Now I am so very much in love with Tennyson. I find much pleasure in reading this aloud, it flutters sweetly from the tonuge.

    ~Rhiannon~


  • November 24, 2005
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    i love this sight


  • rufina caraid Moderators member
    November 8, 2004
    Edit | Reply
    Comments transferred from a deleted poem


    AndrewHide on Aug 21, 2003, 5:07 p.m.
    Join the AP school's tanka class, 2357 critiques. said:
    Mr Tennyson never ceases to amaze.
    The rhythm and rhyme are unbeaterble in this poetic tale, and a tale brilliantly told it is.

    Andrew (reply?)
    [del? ]
    philophant on Dec 24, 2003, 11:37
    ...man is condemned to be free..., 1268 critiques. said:
    Aha! Here is the version of the poem I've been looking for! Yes, I made a long comment on the other one, so I won't do so here, but this is AWESOME. Most narrative poetry is hard to read, but not so here. This rhyme scheme is extreemly difficult to do, too, and yet he does it with perfect ease. I love the melancholy tone of this...it's morbid, yet it's so beautiful. This gives me the "thrill" when I read it. (reply?)
    [del? ]
    Pari Ali on Jul 13, 2:23 p.m.
    Look beyond what you see... to see what is., 2440 critiques. said:
    Cant believe we had actually memorized it in school, a beautiful poem, it weaves a magic spell, it is melancholy that is true and yet its tale of magic never fails to enthrall with all its entrancing and detailed descriptions.

  • Raciend
    October 24, 2004
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    This is indeep one of my favorit poem ever. I don't that it will never grow to old to the modern world.

  • rufina caraid Moderators member
    September 19, 2004
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    In answer to your question. There may have been some confusion as there were 2 versions of this poem, 1832 annd 1842 - this poem entered above is the longer 1842 version.
    Thank you for bringing this to our notice.
    ~Von~

  • LadyJeanetta
    May 31, 2004
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    This is one of my favorite poems as well... A beautiful sad story, and written in a rhythm that's almost a song. Thus, it is little wonder that Lorenna McKennitt was able to transform these already haunting words into a magical song. Still, I much prefer chanting the words to myself; I love the way they sound. Tennyson certainly knew his stuff. I like this one even more than my other favorite of his, "Ulysses"


  • May 8, 2004
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    This is and has been my favorite poem for a couple of years now, ever since I read it. The story is wonderful and tragic, and Tennyson tells in the most perfect way, prose, in a great form for the story.

  • philophant
    December 1, 2003
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    Here is a story of an unnamed lover of the renowned Sir Launcelot. The lady is the mysterious Lady of Shalott, who sits alone in a tower on "an island in the river" and spins "her mirror's magic sites". She must look on and weave these "shadows", but "she hath heard a whisper say a curse is on her if she stay to look down to Camelot." She must never turn from the mirror and look directly out the window. "She knows not what the curse may be, and so she weaveth steadily, and little other care hath she, the Lady of Shalott." Below the tower where she sits, a river runs to Camelot, and a road. Through the mirror, she sees everything which passes below her. She sits before her loom, and weaves day and night, singing as she weaves.

    Only reapers, reaping early,
    In among the beared barley
    Hear a song that echoes cheerly
    From the river winding clearly;
    Down to tower'd Camelot;
    And by the moon the reaper weary,
    Piling sheaves in uplands airy,
    Listening, whispers, " 'Tis the fairy
    The Lady of Shalott."

    She sees, but not partakes. For...

    sometimes through the mirror blue
    The knights come riding two and two.
    She hath no loyal Knight and true,
    The Lady of Shalott.
    But in her web she still delights
    To weave the mirror's magic sights,
    For often through the silent nights
    A funeral, with plumes and lights
    And music, went to Camelot;
    Or when the Moon was overhead,
    Came two young lovers lately wed.
    "I am half sick of shadows," said
    The Lady of Shalott.

    The story goes that, one day, Sir Launcelot was passing the island of Shalott, on this way to Camelot. He "flashed into the crystal mirror." She watches the bold Sir Launcelot, the bravest knight of the Round Table, as he passes below her. She is dazzled by his magnificence. He passes...soon he will be out of sight. She springs up...she drops her work...she looks on Sir Launcelot with new, uncovered eyes...then--

    Out flew the web and floated wide;
    The mirror crack'd from side to side;
    "The curse is come upon me," cried
    The Lady of Shalott.

    She comes down from the tower -- we do not know how. Perhaps if she had not looked on Camelot, she would not have gotten down. Perhaps she was unaware that she could come down from her tower. Here, Tennyson leaves the reader mystified. She finds a boat, and climbs in, letting the river bear her down to Camelot. Some people think this is a twist on the story of Elaine and Launcelot, for Elain was too borne down the river to Camelot in a boat. Tennyson himself denied this, but he acknowledged that the Lady of Shalott was taken from the Italian. As the river takes her down to Camelot, she begins to sing her last song...

    a carol, mournful, holy,
    Chanted loudly, chanted lowly,
    Till her blood was frozen slowly,
    And her eyes were darkened wholly,
    Turn'd to tower'd Camelot.

    When she arrives, she is dead. Out come the noble folk of Camelot, "knight and burger, lord and dame, and on the prow they read her name, the Lady of Shalott." All "cross themselves for fear."

    Launcelot comes forward, and he lingers over the Lady of Shalott a moment, as if he knew why she were here...

    Who is this? And what is here?
    And in the lighted palace near
    Died the sound of royal cheer;
    And they crossed themselves for fear,
    All the Knights at Camelot;
    But Lancelot mused a little space
    He said, "She has a lovely face;
    God in his mercy lend her grace,
    The Lady of Shalott."


    Many have wondered what this tale will tell us. As we know, a good story has no easy explanation. This was written in Victorian England, at a time when society was undergoing great change. People began to look at women differently. And here is the story of a young, sheilded girl, seeing everyone who passes to and from Camelot, yet never looking on them fully. Oscar Wilde too wrote of this. In his Picture of Dorian Grey, a girl plays Juliette on stage. Dorian falls in love with her. When she accepts him, she no longer can 'play' at love. He becomes angry with her, and swears he will never see her again. The result is, suicide. "When she knew love's reality, she died."

    This poem is a beautiful, strange love story. The structure is splendid, the discriptions lavish, the rhythm, like a waterfall, or a river. Indeed, one can almost hear the river, bearing the lady down to Camelot...


  • November 8, 2001
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    I love this poem!!!!!!!


  • October 13, 2001
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    this poem is incredible....yet one needs to experience it with the music that it is sung to in order to do it justice...but none the less this poem does a great deal for those who believe in Arthurian Legend!


  • May 10, 2001
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    beautifully crafted and evocative

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