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The Tomb Of Lt John Learmonth, AIF

This is not sorrow, this is work:
I build a cairn of words over a silent man,
My friend John Learmonth whom the Germans killed.
There was no word of hero in his plan;
Verse should have been his love and peace his trade,
But history turned him to a partisan.

Far from the battle as his bones are laid
Crete will remember him. Remember well,
Mountains of Crete, the Second Field Brigade!

Say Crete, and there is little more to tell
Of muddle tall as treachery, despair
And black defeat resounding like a bell;

But bring the magnifying focus near
And in contempt of muddle and defeat
The old heroic virtues still appear.

Australian blood where hot and icy meet
(James Hogg and Lermontov were of his kin)
Lie still and fertilise the fields of Crete.

Schoolboy, I watched his ballading begin:
Billy and bullocky and billabong,
Our properties of childhood, all were in.

I heard the air though not the undersong,
The fierceness and resolve; but all the same
They’re the tradition, and tradition's strong.

Swagman and bushranger die hard, die game,
Die fighting, like that wild colonial boy –
Jack Dowling, says the ballad, was his name.

He also spun his pistol like a toy,
Turned to the hills like wolf or kangaroo,
And faced destruction with a bitter joy.

His freedom gave him nothing else to do
But set his back against his family tree
And fight the better for the fact he knew

He was as good as dead. Because the sea
Was closed and the air dark and the land lost,
'They'll never capture me alive,' said he.

That's courage chemically pure, uncrossed
With sacrifice or duty or career,
Which counts and pays in ready coin the cost

Of holding course. Armies are not its sphere
Where all's contrived to achieve its counterfeit;
It swears with discipline, it's volunteer.

I could as hardly make a moral fit
Around it as around a lightning flash.
There is no moral, that's the point of it,

No moral. But I’m glad of this panache
That sparkles, as from flint, from us and steel,
True to no crown nor presidential sash

Nor flag nor fame. Let others mourn and feel
He died for nothing: nothings have their place.
While thus the kind and civilised conceal

This spring of unsuspected inward grace
And look on death as equals, I am filled
With queer affection for the human race.

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Comments


  • June 18, 2007
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    Distant Relative

    From guest Guest (contact)
    This man was a member of my extended family so I felt quite moved.


  • rufina caraid Moderators member
    July 5, 2005
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    This poem refers back to the image of the wild colonial boy - the bushranger, the jackeroo and stockman. In an attempt to find a metaphor for the courage of his dead friend, the poet thinks of the mythical figure of the wild colonial boy. Reaching for a way to explain how the ANZAC has shaped the self-image of modern Australians.

    Vonnie~~
    Brisbane Australia


  • July 5, 2005
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    HI,
    Does anyone know much about this poem. I dont really understand most of it. Is it about Austrailan qualities and representing them to the world?
    Thanx