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Anthem For Doomed Youth


What passing-bells for these who die as cattle?
    Only the monstrous anger of the guns.
    Only the stuttering rifles' rapid rattle
Can patter out their hasty orisons.
No mockeries for them; no prayers nor bells,
Nor any voice of mourning save the choirs, —
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad shires.
What candles may be held to speed them all?
      Not in the hands of boys, but in their eyes
  Shall shine the holy glimmers of goodbyes.
      The pallor of girls' brows shall be their pall;
  Their flowers the tenderness of patient minds,
  And each slow dusk a drawing-down of blinds.

Notes

Shown above is a copy of Owen's first draft of this poem along with it's original amendments by both Owen and his good friend and fellow poet 'Siegfried Sassoon'.
Written in clearer form below


Anthem for Dead Youth.

passing
What minute bells for those who die so fast?
solemn the
Only the monstrous anger of our guns
blind insolence iron
Let the majestic insults of their iron mouths
requiem
Be as the priest words of their burials
Learn organs for the old requiem

Of choristers and holy music, none;
And the hiss lonely
the long drawn wail of high, far sailing shells
to light
What candles may we hold for those lost? souls?


Not in the hands of boys, but in their eyes
shine the tapers the holy tapers candles
Shall / many candles shine; and love will light them
holy flames: to
And woman's wide-spread ed arms shall be their wreaths
And pallor girls' cheeks shall be their palls.
mortal
Their flowers the tenderness of all men's minds
comrades
rough men's
each slow
And every Dusk a drawing-down of blinds

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Comments

1 - 25 of 25

  • October 17, 2007
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    translation

    From guest abigail (contact)
    wow, this is one of best poems i have ever read. It's so meaningful! At first when i read it, i was kind of cinfused, but then i realized the cattle part meant it was like the men were being sent off just to be slaughtered, like cows. the drawing down part also confused me. I think it meant to forget and dont cry over spilled milk. the soldiers who died where going to come bak alive. u cant do anything to help them. just have the ceremony and mourn, and all that stuff, then you cant do much more. overall, i dont think it would be a good poem for young kids.


  • May 24, 2007
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    this line

    From guest anna-liisa (contact)
    I'm only 14 and haven't read a lot of poetry but I love Wilfred Owens work the best line in Anthem for doomed youth is 'the shrill demented choirs of wailing shells.' WOW!


  • March 13, 2007
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    the techniques

    From guest joe (contact)
    im doing an essay about wilfred owen and how he potrays the world of potry through the use of distinctive features. can u please help me ouline the distinctive feature and what it emphasises


  • rufina caraid Moderators member
    December 27, 2005
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    Known as one of Owens best-known poems.
    The first stanza appears to translate the pandemonium of battle into funeral rites for the fallen men by using 'sounds' – 'booming guns', 'rattle of rifle fire' continuing into the 2nd stanza with the quiet of a stricken English village. Here he uses visuals, 'the mourning of the village' 'girls pale faces'.

    A most profound experience reading and feeling this particular poem.

    Von

  • bookdragon
    November 8, 2005
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    Owen has to be the best poet of the first world war. I started collecting WWI poetry after reading his Dulce Et Decorum. I am always particulary touched by his sympathy for the soldiers, he does not dwell on his misery, but that of those around him. His dying on the finale day of the war was a bitter irony, as he protested the death of so many for what was truly a war without justification beyond politics and a European social order that the eroded after the war anyway.


  • rufina caraid Moderators member
    October 29, 2005
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    It seems almost prophetic that Wilfred Owen was one of the doomed youth he speaks of in this poem. He survived through 4 years of WW1 to be killed during the very last week of the war in 1918.
    Since my interest in WW1 poetry began about 3 years ago this poem in particular still strikes an emotional chord in me. As mentioned above – his poetry lives on.
    Von


  • pixelated nonsense
    June 10, 2005
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    Ever since I cracked open my brand-new poetry anthology last September (September '03), I fell in love with Wilfred Owen's poetry. This is one of my favourites, in fact, I used it in a Peace Studies presentation not but a month ago. I've enjoyed OldPoetry so much since I 'discovered' it a few weeks ago. Every day, a new old poem. This particular one, I find, is particularly intreguing. The word choices were surpurb and the imagery was fantastic.
    Thank you for featuring this particular poem of Owen's in the column.
    Blessed be,
    Kate.

  • Touchof1der
    June 10, 2005
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    I find it so fascinating that during such times of great peril and strife, any man would take the time to pen his thoughts. It's almost as if many of knew that their words might be all that was left when times of war ceased. The word choices here are so descriptive. I'm glad I paid a visit to OldPoetry. This place is very much like a haven for me.
    ♥ Kimberly

  • NeverGiveUp
    June 10, 2005
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    I do think it fits, I didn't mean to imply that it didn't. Slaughtered indeed!

  • Tiberius
    June 10, 2005
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    The point of the reference to cattle is the nforgiving way in which they are slaughtered. They are no longer people, they are only another uniform on a field of the dead. Then the conscripts are 'herded' onto the field by the whistles of the charge before being put down. A very fitting metaphor i believe.

  • NeverGiveUp
    June 9, 2005
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    It was quite interesting to see the handwritten copy and the editing... that's fascinating for me! I prefer writing by hand when I'm able.
    "die as cattle?" I think of cattle as stupid herd animals, so I find this interesting.

  • Mystical-Gardenia
    June 7, 2005
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    Inspirational the oasis of the mind becomes a fountain and here you have shared the dimensions that we need to explore again as this is timeless in over two thousand years the peace keepers have been frustrated... the pawns are still sacrificed... the blood is still red... the survivors are often mentally if not physically scarred... thank you so much for sharing this

  • Smilingspider
    July 2, 2004
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    stuttering rifles' rapid rattle

    I wonder how many of todays poets would even consider the stuttering rifle, I think that only those who have been through those rifles would know how to describe them with such clarity, such devastating honesty.

  • Open Eyes
    June 1, 2004
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    I have never read that poem before, and now I am so glad I just did... That was SO awesome..... I love it

  • vbgard
    June 1, 2004
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    A wonderful example of the evolution of a piece of work into a masterpiece, and bared by a famous poet gives one an inspiration in ones own work (even its its tawdry). As for the piece itself the last line is wonderful and contains the whole piece into itself - Some wars are inevitable others are forced (need I say more)

  • shadowchild25
    June 1, 2004
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    oh my word, you know how truly freaky it is to be seeing this right now? today my world history teacher showed us this exact poem (well, the revised version) and I put down the author, thinking I might be able to find it here on oldpoetry, and then we talked about it in class, and I was just amazed at the poetry, because I really was able to see how these soldiers felt upon their return. The other poem we read was called "Nocturnal Landscape" (Anton Schnak) and the contrast between the one by the German side in WW1 and the British side, this one, was amazing. The Germans wanted their people to welcome them back, to sympathize, and such, but the British could no longer stand the sympathy of those who had no clue what they had been through. Powerful poem, even on its first copy, but being more so as he revised it. Wow

  • Richelle Lynne
    June 1, 2004
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    It is amazing to see the progress in the creation of the poem and the care taken in making the poem stronger and more intense. xoxo, candi

  • Simple-Minded
    May 31, 2004
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    I was just given a book with about 5 different versions of this same poem; very intereting how it changed.


  • AndrewHide
    May 16, 2004
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    Looking at the original transcript and comparing it with the version which has become so well known, it teaches a good lesson in poetry, seeing how two world class poets played with the text to get it right. I can only wonder in pity of how many interesting draft copies have been thrown on the fire over the years.

    Andrew

  • bridgetjanejone
    April 26, 2004
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    Don\'t need to say it - genius

    I haven't read this for years (studied it at school.. so .. anyway!)only now can I appreciate how good the rhyming is... some soft rhymes, some classic rhymes and some no rhymes. I like the play between the "boys" and the "girls".. so innocent and yet so horribly knowing. Of its time and yet contemporary... the sign of a true genius

  • xsiLeNceD sOuLx
    April 26, 2004
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    great

    todays society is horrible and im afraid that once our predecessing generation dies out, the children of today will have turned into adults...and who knows if they will actually wisen up and realize that the world isnt just about sex, drugs, and rock and roll...the way i took this poem was metaphorically and it touched me deeply...the cows being us...yeah, lol...
    great write
    :+: brianne :+:

  • The Rev
    November 5, 2003
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    "Only the monstrous anger of the guns.
    Only the stuttering rifles' rapid rattle..."

    I must say that I am beginning to enjoy this OldPoetry site a great deal more as I begin to broaden my horizons on the poets of olde. I have to agree that it was a very brave move on Owen's part to write about such treacherous ideas. However, there are times and places for which action resulting in war should be taken; and in those times, no matter how mush you resent the leader for doing so, one must stay behind their people until it's over. Anyway, thank you for sharing this.

    Keep up the good fight; it's all we have left...

    The Rev

  • Kwausimodo
    November 5, 2003
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    A good write... It's always interesting to see how a poem can be transformed into a unique creation in another's mind.

  • Scarlett
    November 5, 2003
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    WHOA! I was wondering about the thingy under it as I scrolled down...

    Intense...

    !~YS4e~!
    Scarlett

  • ElmoChick
    June 8, 2003
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    History must repeat itself. It's a cycle that we don't seem to understand. what happens? we understand it when we are younger, but when we get to a certain age, istory dissapears, adn we are history!
    Channi
    P.S. Great write

  • Nam
    April 3, 2003
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    9/10

    Unlike FireOnIce, tears are not coming to my eyes. But, times will never change, not for the young who fight nor for the old who fight, there will never be the inbetweens I don't perceive.

    This is a great piece, it speaks volumes to any 'youth' it is an anthem for all doomed, whether youth or not.

  • FireOnIce
    March 30, 2003
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    This almost brought tears to my eyes it was so well written. well said antmonkey, Owen's work will definately live through the lives of another shattered generation of youth.

  • Honey-n-Ashes
    March 30, 2003
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    Undefined

    Times never change never, Time is that of a filter with a pump pumping past stories back through the filter.


  • September 1, 2001
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    : This poem was bravely written in a time where any anti war feelings were considered treacherous. Wilfred Owen is the best poet war, or otherwise to come from England. BRAVO, Mr Owen for you work lives on in the hearts and minds of our generation.

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