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The Laboratory-Ancien Régime

I.
Now that I, tying thy glass mask tightly,
May gaze thro' these faint smokes curling  whitely,
As thou pliest thy trade in this devil's-smithy—-
Which is the poison to poison her, prithee?

II.
He is with her, and they know that I know
Where they are, what they do: they believe my tears flow
While they laugh, laugh at me, at me fled to the drear
Empty church, to pray God in, for them!—-I am here.

III
Grind away, moisten and mash up thy paste,
Pound at thy powder,—-I am not in haste!
Better sit thus, and observe thy strange things,
Than go where men wait me and dance at the King's.

IV
That in the mortar—-you call it a gum?
Ah, the brave tree whence such  gold  oozings come!
And yonder soft phial, the exquisite blue,
Sure to taste sweetly,—-is that poison too?

V
Had I but all of them, thee and thy treasures,
What a wild crowd of invisible pleasures!
To carry pure death in an earring, a casket,
A signet, a fan-mount, a filigree basket!

VI
Soon, at the King's, a mere lozenge to give,
And Pauline should have just thirty minutes to live!
But to light a pastile, and Elise, with her head
And her breast and her arms and her hands, should drop dead!

VII
Quick—-is it finished? The colour's too grim!
Why not soft like the phial's, enticing and dim?
Let it brighten her drink, let her turn it and stir,
And try it and taste, ere she fix and prefer!

VIII
What a drop! She's not little, no minion like me!
That's why she ensnared him: this never will free
The soul from those masculine eyes,—-Say, ``no!''
To that pulse's magnificent come-and-go.

IX
For only last night, as they whispered, I brought
My own eyes to bear on her so, that I thought
Could I keep them one half minute fixed, she would fall
Shrivelled; she fell not; yet this does it all!

X
Not that I bid you spare her the pain;
Let death be felt and the proof remain:
Brand, burn up, bite into its grace—-
He is sure to remember her dying face!

XI
Is it done? Take my mask off! Nay, be not morose;
It kills her, and this prevents seeing it close;
The delicate droplet, my whole fortune's fee!
If it hurts her, beside, can it ever hurt me?

XII
Now, take all my jewels, gorge gold to your fill,
You may kiss me, old man, on my mouth if you will!
But brush this dust off me, lest horror it brings
Ere I know it—-next moment I dance at the King's!

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Comments

1 - 5 of 5

  • March 12
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    hey

    From guest nick (contact)
    i know everything about this poem i have done 17 essays on this poem and have not achieved below an A,
    MOD MESSAGE
    It would be nice of you to share some of your insights with our other readers. Perhaps we could even feature one of your essays.


  • October 24, 2007
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    I Need To Find Love

    From guest jade (contact)
    im studying this poem aswell as 3 others for my GCSE essays in english literature and i need to find love in the poem, but i cant seem to understand how love can be involved in the poem when theres so much death. please can someone help...xxxx thanx


  • July 21, 2007
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    hmmmmmm

    From guest jubza (contact)
    This is a very strange poem. I understood most of it but the bits that dazzled me were the fact that the lady might be crazy or something i don't know ... Can someone let me know how Browning shows different moods of persona in the poem? ... thanks xx

  • Shelley Webster
    December 2, 2004
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    I studied this in english literature. It's an amazing read and the images are unique and [exquisite]. The poem shows the anger and malevolence of the persona and her anger at her husband and his mistress. This persona has the right idea about not letting a man rule her life.

    ~Shadow~

  • Barbie
    May 6, 2004
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    Perfect

    My favourite poem. Barbie. Xx

  • CookieZeal
    April 20, 2003
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    What is it with this era for describing death and the buried feelings. Gosh. It's cutting and visual.

    I'd love to know what he's thinking about in this one as even HE said that publishers at that time rejected some of his work because of its tasty ambiguity. His response was that at the time only he and God knew about what he was writing!

    Not sure about how the timing is jumped in some places as the emphasis on the assonance may have been different...not as sing-songy as our contemporaries. But the last 4 stanzas certainly don't strain the tongue/ear as much as the previous ones.

    I always loved him and think it was I whom he would have courted on Wimpole Street, but I couldn't have taken to the illness shelter.

  • mushika
    April 20, 2003
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    This is one of the most amazing pieces, psychologically fascinating, macabre in that icy psychotic kind of a way, and beautifully written. I think many people do not try to write damatic monologues like Browning because he did them so well that any attempt would come off as a cheap counterfeit. He was able to make them breezy but endlessly fascinating. This is my favorite of all of them though, largely because of the setting and the incorporation of all of the archaic chemistry.

    I also like the srange well of Freudian musings the poem offers:

    the brave tree whence such gold oozings come!
    And yonder soft phial, the exquisite blue,
    Sure to taste sweetly,---is that poison too?

    Browning is an underrated rhymer in my opinion too. Most poetry books focus on his psychology and ignore or even slight his amazing ear:

    To carry pure death in an earring, a casket,
    A signet, a fan-mount, a filigree basket!

    A perfect poem


  • October 14, 2001
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    Marvelous, A chilling read

1 - 5 of 5