I.
THOU who stealest fire,
From the fountains of the past,
To glorify the present, oh, haste,
Visit my low desire!
Strengthen me, enlighten me!
I faint in this obscurity,
Thou dewy dawn of memory.
II.
Come not as thou camest of late,
Flinging the gloom of yesternight
On the white day, but robed in soften’d light
Of orient state.
Whilome thou camest with the morning mist,
Even as a maid, whose stately brow
The dew-impearled winds of dawn have kiss’d,
When she, as thou,
Stays on her floating locks the lovely freight
Of overflowing blooms, and earliest shoots
Of orient green, giving safe pledge of fruits,
Which in wintertide shall star
The black earth with brilliance rare.
III.
Whilome thou camest with the morning mist,
And with the evening cloud,
Showering thy gleaned wealth into my open breast;
Those peerless flowers which in the rudest wind
Never grow sere,
When rooted in the garden of the mind,
Because they are the earliest of the year.
Nor was the night thy shroud.
In sweet dreams softer than unbroken rest
Thou leddest by the hand thine infant Hope.
The eddying of her garments caught from thee
The light of thy great presence; and the cope
Of the half-attain’d futurity,
Tho’ deep not fathomless,
Was cloven with the million stars which tremble
O’er the deep mind of dauntless infancy.
Small thought was there of life’s distress;
For sure she deem’d no mist of earth could dull
Those spirit-thrilling eyes so keen and beautiful;
Sure she was nigher to heaven’s spheres,
Listening the lordly music flowing from
The illimitable years.
O strengthen me, enlighten me!
I faint in this obscurity,
Thou dewy dawn of memory.
IV.
Come forth, I charge thee, arise,
Thou of the many tongues, the myriad eyes!
Thou comest not with shows of flaunting vines
Unto mine inner eye,
Divinest Memory!
Thou wert not nursed by the waterfall
Which ever sounds and shines
A pillar of white light upon the wall
Of purple cliffs, aloof descried:
Come from the woods that belt the gray hillside,
The seven elms, the poplars four
That stand beside my father’s door,
And chiefly from the brook that loves
To purl o’er matted cress and ribbed sand,
Or dimple in the dark of rushy coves,
Drawing into his narrow earthen urn,
In every elbow and turn,
The filter’d tribute of the rough woodland;
O! hither lead thy feet!
Pour round mine ears the livelong bleat
Of the thick-fleeced sheep from wattled folds,
Upon the ridged wolds,
When the first matin-song hath waken’d loud
Over the dark dewy earth forlorn,
What time the amber morn
Forth gushes from beneath a low-hung cloud.
V.
Large dowries doth the raptured eye
To the young spirit present
When first she is wed,
And like a bride of old,
In triumph led,
With music and sweet showers
Of festal flowers,
Unto the dwelling she must sway.
Well hast thou done, great artist Memory.
In setting round thy first experiment
With royal framework of wrought gold;
Needs must thou dearly love thy first essay,
And foremost in thy various gallery
Place it, where sweetest sunlight falls
Upon the storied walls;
For the discovery
And newness of thine art so pleased thee,
That all which thou hast drawn of fairest
Or boldest since but lightly weighs
With thee unto the love thou bearest
The first-born of thy genius. Artist-like,
Ever retiring thou dost gaze
On the prime labor of thine early days,
No matter what the sketch might be:
Whether the high field on the bushless pike,
Or even a sand-built ridge
Of heaped hills that mound the sea,
Overblown with murmurs harsh,
Or even a lowly cottage whence we see
Stretch’d wide and wild the waste enormous marsh,
Where from the frequent bridge,
Like emblems of infinity,
The trenched waters run from sky to sky;
Or a garden bower’d close
With plaited alleys of the trailing rose,
Long alleys falling down to twilight grots,
Or opening upon level plots
Of crowned lilies, standing near
Purple-spiked lavender:
Whither in after life retired
From brawling storms,
From weary wind,
With youthful fancy re-inspired,
We may hold converse with all forms
Of the many-sided mind,
And those whom passion hath not blinded,
Subtle-thoughted, myriad-minded.
My friend, with you to live alone
Were how much better than to own
A crown, a sceptre, and a throne!
O strengthen me, englighten me!
I faint in this obscurity,
Thou dewy dawn of memory.
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Comments
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Oh the dull comments on this site. It seems school kids or those with the same "Oooh!" mentality just pervade the websites.
"Ooooh"!
Anyway. Tennyson was a master of word painting. He could paint well considered images in all their depth and splendour with a few masterly placed and chosen words.
As this poem clearly illustrates he could arrange words into lines and phrases that would left the mind reeling in splendid scapes of his making.
But as this poem also clearly indicates, he has had a penchant for longwindedness, as if his own words would so cocoon him in the splendour of his making that he would continue on long past the point.
After all proclaiming in such beauty so many ways for sunrise to arrive, it sorts of dull the senses and imagination after a while.
So one has to read these beautiful, intricate and long winded poems in installments. To savour all the elements and the beauty so wrought, to the fullest of one's capability.
Edited on Feb 20, 7:43 because ''. -
Along with Milton, I say, I love this guy! He enlightens me, strengthens me, keeps me warm. In a different way compared to Edgar Allan Poe..
T.S. Eliot has called him 'the great master of metric as well as of melancholia'. Nobody likes an unsad artist, I guess -
OO!! I LOVE this!! Old English type poems thrill me to death! This is magnificently written and it is VERY inspiring! Oh my, I can say no more... It's just spectacular. End of story.
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I do like it although the old english like in the King James Bible is rather off putting, it also makes it a difficult read.




