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The Finger Post


Across the field, beyond the church.
    You see the sign post stand.
And towards the highway lean and lurch.
    With crazy outstretched hand.
Faint marks upon whose surface show
    Where letters once were traced;
Which wind and weather, long ago,
    Have more than half effaced.
What matters it if near or far
    The place whose name was writ?
The course the sign post bids you steer
    Will never lead to it.
One moonless night (I sometimes think)
    When all the cats were grey,
Some homebound reveller, filled with drink,
    Came rolling up this way.
Who, pixy led, through wind and shower
    Went rambling all night long,
And whiled away the passing hour
    With staves of hiccuped song.
All night he tumbled out and in
    Of thicket, ditch and mire,
Bestuck with burrs from heel to chin
    And scratched by many a brier.
They led him round till dawn almost,
    And last, in playful mood,
They changed him to a Finger Post
    And left him there for good.
And still he stands and leans about
    As he must surely fall,
And points the Road to Nowhere out
    Where is no road at all.
He points the way through ditch and hedge,
    And over field and furrow,
And water meadow speared with sedge
    And banks where rabbits burrow.
By dale and down he points you still,
    And on the skylines rim
The scarecrow from the windy Hill
    Waves blithely back to him.

Notes

From COUNTRY DAYS AND COUNTRY WAYS: Trudging Afoot in England, by Cicely Fox Smith, published by F. Lewis, Ltd., Leigh-on-Sea, UK, © 1947, p. 12.

Here the poet is describing country walking in England.

The header graphic is by E. A. Cox, R.B.A., and is the one accompanying the poem in the book.

Jim Saville

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