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The Long Road Home


There's a wind up and a sighing along the waterside,
And we're homeward bound at last on to-night's full tide:
Round the world and back again is very far to roam . . .
And San Juan Strait to England, it's a long road home!

We'll tow out to Flattery before the sun is high;
We'll shake the harbour dust away and give the land good-bye:
And singing in her topsails, O, the deep-sea wind'll come,
And lift us through it lively on the long road home.

The Old Man he goes smiling, for he's gathered in a crew:
We've various Turks and infidels, we've most things but a Jew:
He's got the pick of all the stiffs from Panama to Nome,
And we'll make them into sailors on the long road home.

The leaves that just are open now, they'll have to fade and fall,
There'll be reaping time and threshing time and ploughing time and all:
But we'll not see the harvest fields nor smell the fresh-cut loam:
We'll be rolling gun'le under on the long road home.

We've waited for a cargo and we've waited for a crew,
And last we've waited for a tide, and now the waiting's through:
O don't you hear the deep-sea wind and smell the deep-sea foam,
Out beyond the harbour on the long road home?

And it's "home, dearie, home" when the anchor rattles down,
In the reek of good old Mersey fog a-rolling rich and brown:
Round the world and back again is very far to roam . . .
And all the way to England it's a long way home!

Notes

From SONGS AND CHANTIES: 1914-1916, edited by Cicely Fox Smith, published by Elkin Mathews, London, UK, © 1919, pp. 31-32. First published in THE DAILY COLONIST, Victoria, Vancouver Island, British Columbia, Canada, December 17, 1912, p. 8.

This poem likely anticipates the poet leaving Victoria, British Columbia, in 1913 after a stay of almost ten years, suggesting that she left by sailing ship on the return to her native England. This poem seems to form a set with "Pacific Coast" and "The Ship's Good-bye."

There are similarities in the forth verse with the third verse in "Rosario."

"Home, dearie, home" is a reference to a traditional folk song of the same name, also known as "Ambletown."

Peter Massey (UK) first adapted this poem for singing, as recorded on THE LONG ROAD HOME, © 2005.

The header graphic is a photograph by Hugh Frith, taken of the four-masted barque Pamir in 1946 after slipping her tow off Cape Flattery, from the collection of the Vancouver Maritime Museum.

Charley Noble

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