How many dawns, chill from his rippling rest
The seagull's wings shall dip and pivot him,
Shedding white rings of tumult, building high
Over the chained bay waters Liberty—
Then, with inviolate curve, forsake our eyes
As apparitional as sails that cross
Some page of figures to be filed away;
—Till elevators drop us from our day . . .
I think of cinemas, panoramic sleights
With multitudes bent toward some flashing scene
Never disclosed, but hastened to again,
Foretold to other eyes on the same screen;
And Thee, across the harbor, silver-paced
As though the sun took step of thee, yet left
Some motion ever unspent in thy stride,—
Implicitly thy freedom staying thee!
Out of some subway scuttle, cell or loft
A bedlamite speeds to thy parapets,
Tilting there momently, shrill shirt ballooning,
A jest falls from the speechless caravan.
Down Wall, from girder into street noon leaks,
A rip-tooth of the sky's acetylene;
All afternoon the cloud-flown derricks turn . . .
Thy cables breathe the North Atlantic still.
And obscure as that heaven of the Jews,
Thy guerdon . . . Accolade thou dost bestow
Of anonymity time cannot raise:
Vibrant reprieve and pardon thou dost show.
O harp and altar, of the fury fused,
(How could mere toil align thy choiring strings!)
Terrific threshold of the prophet's pledge,
Prayer of pariah, and the lover's cry,—
Again the traffic lights that skim thy swift
Unfractioned idiom, immaculate sigh of stars,
Beading thy path—condense eternity:
And we have seen night lifted in thine arms.
Under thy shadow by the piers I waited;
Only in darkness is thy shadow clear.
The City's fiery parcels all undone,
Already snow submerges an iron year . . .
O Sleepless as the river under thee,
Vaulting the sea, the prairies' dreaming sod,
Unto us lowliest sometime sweep, descend
And of the curveship lend a myth to God.
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From guest Eric (contact)
This work is the opening "Proem" Crane wrote for his epic "The Bridge." "The Bridge" contains different parts; Ave Maria, Powhatan's Daughter, Cutty Sark, Cape Hatteras, Three Songs, Quaker Hill, The Tunnel, and Atlantis. "Van Winkle" is part of the Powhatan's Daughter portion of the poem. Crane wrote "The Bridge" using the history of America from Christopher Columbus in 'Ave Maria,' Pocahantas in the 'Powhatan's Daughter' section, Walt Whitman in 'Cape Hatteras', Poe in 'The Tunnel,' etc. The epic symbolizes a 'bridge' to a higher conscience, using the Brooklyn Bridge as his muse and the symbolic pathway to a higher state of mind. (The Brooklyn Bridge was clearly visible form his apartment window when he was writing this poem.) -
I have been searching for information regarding 'Van Winkle'. All the references seem to lead back to this particular poem and I'vee been unable to find any definite information. However should anything comes to light you can be assured it will posted here if possible.
Von -
I am looking for Hart Crane's poem " Van Winkle "
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can someone help me interpret this poem?



